HOLYOKERESEARCH/ PARSONS HALL PROJECT SPACE/ BROSENFRENZ CORE / VILM / MOBILE GEOGRAPHY/ COLLABOTRONICA/ RE-IMAGINED DESIGN / HHORRRAUTICA/ SPECULATIVE FICTIONS/ RESIDENCY NODES/ CURATIONS/ KOREANAUTICA / CONTACT: HOLYOKERESEARCHER@GMAIL.COM
Sunday, October 24, 2010
VIDEO SCREENING ((((RECALL))))
Thursday, October 7, 2010
PARSONS HALL PROJECT SPACE (EXHIBITION)
CURATED BY TORSTEN ZENAS BURNS
(SPECIAL THANKS TO KARI GATZKE)
OCTOBER 23RD - NOVEMBER 14TH 2010
OPENING: SATURDAY, OCTOBER 23RD 6-10PM
SATURDAY MORNING EVENT - NOVEMBER 6TH 10-11:30AM
(DONUTS AND EXPERIMENTAL VIDEO SCREENING SERIES #1)
THE UNCANNY MEADOW CELL
RKDB
TXUSPO POYO
ZACHARY BUEHNER
RACHEL MAYERI
JOHN CALHOUN
DESIREE HOLMAN
BILL DURGIN
GEORGE PFAU
MIRIAM DYM
JENNIFER & KEVIN MCCOY
BJORN MELHUS
Wednesday, September 29, 2010
BAM/PFA Gallery Exhibition / Book

Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000
BAM/PFA Film and Video Series: September 2010 through March 2011, co-sponsored by San Francisco Cinematheque
BAM/PFA Gallery Exhibition: October 6, 2010 through April 3, 2011
Film Series and Book Tour: January 2011 through December 2012
The San Francisco Bay Area has been home to a thriving and prominent film and videomaking community since at least the 1940s. Of this larger community, a substantial subset of artists, innovators, and experimentalists has pursued alternative forms of visual expression that have influenced other artists far beyond our foggy enclave. The rich history of this alternative practice is explored in the new book Radical Light, published jointly by UC Press and the Berkeley Art Museum and Pacific Film Archive. Through our research efforts to synthesize the artistic output of this diverse group of film and video artists, BAM/PFA has amassed a collection of rare “ephemeral” materials that often represent the remaining traces of what were vital manifestations of the Bay Area media community, its artists, as well as its pedagogical institutions and exhibition venues. These overlooked, often visually striking, archival materials come in the form of posters for bygone cinema screenings, newsletters from extant and now-defunct media organizations, production stills from seminal films that capture the time of their making, historical correspondence by renowned artists, and many other artifacts that encapsulate a half-century’s media culture. Of additional interest, nearly a dozen artist-made collages and drawings commissioned for Radical Light will be displayed in their original form. A special sidebar focuses on the microcinema movement that emerged full-force in the early 1990s and which is attributed to the prophetic inspiration of several Bay Area curators who showed films in intimate settings beginning in the late 1970s. Organized as a loose timeline along the walls of the Theater Gallery, hundreds of discrete paper relics evoke the graphical playfulness and diverse means that sustained a still-flourishing community of alternative media artists.
Steve Seid and Kathy Geritz
Film and Video Curators
Radical Light is curated by Kathy Geritz, Steve Seid, and Steve Anker, Dean of the School of Film/Video at CalArts; the microcinema sidebar is curated by Steve Polta, Artistic Director, San Francisco Cinematheque.
ETC: Experimental Television Center 1969-2009-DVD


The DVD set is distributed by Electronic Arts Intermix (NYC)
The Experimental Television Center is pleased to announce the upcoming release of ETC: Experimental Television Center 1969-2009, a five DVD set presenting the electronic media work of over one hundred artists who have worked in the Center’s Residency Program during the last 40 years. The collection offers a look at the evolution of the unique artist-designed sound and image tools that are the hallmark of the Center’s studio and provides a view into the constantly changing artistic processes and practices that have shaped the work over the years. The set is being distributed by Electronic Arts Intermix.
Video art began to develop in the US in the late 1960s, with the introduction of new portable video tools. While many artists used the technology to document and have voice in social and political issues, others collaborated with technologists to design unique instruments which allowed the creation of imagery never before seen. ETC remains dedicated to the development of video and digital instruments in the service of creative visual and sonic investigation by artists from around the world.
This set contains works by the first generation of video and film artists – including Barbara Hammer, Gary Hill, Jud Yalkut and Aldo Tambellini - as well as contemporary works by Marisa Olson, Kristin Lucas, Lynne Sachs and Mark Street. The complete list of artists is below. A 132 page catalog is also included. The works have been widely exhibited internationally and received awards from festivals around the world.
For about 40 years the Center has offered programs in support of the media arts, offering an international residency Program, grants to individuals and media organizations, and sponsorship assistance for independent media and film artists. The Video History Web is an online resource for scholars concerning the formative development of media art and community television.
An essential component of the project, the digitizing of early video works recorded on obsolete formats, was performed through the Standby Program by Bill Seery. We also wish to recognize Maria Venuto and Kelly Spivey for their contributions. The newly digitized ETC works are archived at Cornell University Rose Goldsen Archive of New Media, to be made available to the public for research purposes.
This project has received support from the Digitization Project Grants Program at the New York State Council on the Arts, mediaThe foundation, and the Daniel Langlois Foundation for Art, Science and Technology. The project manager was Aaron Miller. The art designer for the project was Diane Bertolo.
ETC: The Experimental Television Center 1969-2009 is distributed by Electronic Arts Intermix. Please contact EAI for more information. [www.eai.org or 212.337.0680]
5 DVD set, with 132 page catalog. Total running time: 19 hours.
Mara Alper • Amoeba Technology • Kristen Anchor • Benton Bainbridge • Irit Batsry • Bebe Beard • Alan Berliner • Kjell Bjorgeengen • David Blair • Peer Bode • Philip R Bonner • Jean-Pierre Boyer • Lawrence Brose • Nancy Buchanan • Barbara Buckner • Torsten Zenas Burns • Michael L. V. Butler • Abigail Child • Laurie Beth Clark • Cohen Charles • Connie Coleman • Dearraindrop • Andrew Deutsch • Kenneth Dominick • Monica Duncan • Nicholas Economos • David Fodel • Joshua Fried • Larry Gartel • Raymond Ghirardo • Jonnathan Giles • Shalom Gorewitz • Carol Goss • Alexander Hahn • Barbara Hammer • Julie Harrison • Sachiko Hayashi • Janene Higgins • Gary Hill • Tali Hinkis • Sara Hornbacher • Takahiko Iimura • Kelly Jacobson • Deborah Johnson • Brian Kane • Peggy Kay • Zohar Kfir • John Knecht • Andrew Koontz • Richard Kostelanetz • Annie Langan • Kyle Lapidus • Paula Levine • Henry Linhart • Jeanne Liotta • Jason Livingston • LoVid • Kristin Lucas • Darrin Martin • Mimi Martin • Christina McPhee • Rohesia Hamilton Metcalfe • Aaron Miller • Bianca Bob Miller • Terry Mohre • Brian Moran • Ikue Mori • NNeng • Marisa Olson • Carol Parkinson • John Phillips • Michael Phillips • Alan Powell • Nicholas Ray • Megan Roberts • Ron Rocco • Peter Rose • Eric Ross • Mary Ross • Dave Ryan • Lynne Sachs • Eric Schefter • Michael Schell • Matthew Schlanger • Jessie Shefrin • Alan Sondheim • Caspar Stracke • Mark Street • Chad Strohmayer • Aldo Tambellini • Carolyn Tennant • Matthew Underwood • Liselot van der Heijden • Siebren Versteeg • Ben Vida • Nancy Walker • Reynold Weidenaar • Ann-Sargent Wooster • Walter Wright • Jud Yalkut • Neil Zusman
Wednesday, September 8, 2010
VIDEO_DUMBO 2010


VIDEO_DUMBO FESTIVAL / BROOKLYN , NY| Koreanautica | Torsten Zenas Burns | 2010 | 17:00 Untitled - Hypno Project | Douglas Fishbone | 2009 | 12:55 How To Draw Sad Animals | Pere Ginard & Laura Gines | 2009 | 4:34 Versions | Oliver Laric | 2010 | 8:48
|
Wednesday, September 1, 2010
Friday, August 6, 2010
SFCAMERAWORKS - GROUP SHOW


SFCamerawork: "Suggestions of Life Being Lived"
Suggestions of Life Being Lived, guest curated by Danny Orendorff and Adrienne Skye Roberts, presents queerness as a set of political alliances and possibilities, informed by the projects of 16 artists working in photography, film, video, activism and education. Untethered to institutions of sexual or gender normativity and in pursuit of greater freedoms, the work in this exhibition represents queer activism, intentional and imagined communities, self-determinism, and DIY alternative world-making.
Suggestions of Life Being Lived begins from a place of ‘outness’ and considers how a sense of liberated queerness is pursued and mediated within public spaces and behaviors. Less concerned with catergorical sexual identities or coming-out narratives, this exhibition presents work that looks outward towards collective and resistant expressions of queer community existing outside of dominant gay and lesbian culture.
Featuring works by Steven Miller, Tara Mateik, Killer Banshee Studios, Gay Shame, Kirstyn Russell, Jeannie Simms, Lenn Keller, Mercury Vapor Studios, Falling in love with Chris and Greg, Jason Fritz Michael, Darrin Martin & Torsten Zenas Burns, Eric Stanley & Chris Vargas, Aay Preston Myint and Allyson Mitchell.
Opening reception: Thursday, September 9th 5 – 8 p.m.
September 9 – October 23, 2010
SFCamerawork
657 Mission Street, 2nd Floor
San Francisco, CA 94105
Darrin Martin & Torsten Zenas Burns will be screening
"The Abominable Freedom" 41:00 / video / 2006
(west coast premiere)
Wednesday, July 14, 2010
UNKNNOWN COLLLABORATION 1 (BOOK)

UNKNNOWN COLLLABORATION 1(BLURB BOOK PROJECT NOW AVAILABLE)
A COLLABORATION BETWEEN
JAMES FOTOPOULOS & TORSTEN ZENAS BURNS
SPECIAL THANKS TO: ANDREW ERDOS, ETEAM & THE GUEST STARS
Sunday, June 27, 2010
AURORA PICTURE SHOW / VIDEO SCREENING

Fragments
Filmmaker Darrin Martin in Attendance
Friday, August 13, 7PM
Location: DiverseWorks, 1117 East Freeway
$7 Non-members; Aurora members free
For once, we encourage you to bring your cell phones to a screening so that you can participate in an evening of new video performance, as well as solo and collaborative video works from Darrin Martin. Failed utopias, technologic euphoria, role-playing workshops, hearing loss, the nature of sound, and other actualities often inaccessible to the naked eye are playfully addressed in this presentation by Darrin Martin. Fantasy and delusion through a language of disjointed architectural ruins and sculptural remains fuse with his current research into ubiquitous technologies in a premiere of the video-performance, Fragments. A screening of his most recent solo works and collaborations with Torsten Zenas Burns, an experimental video artist, will precede the performance.
Darrin Martin is a Bay Area artist whose works loosely examine how technologies are used in an attempt to measure and augment our daily perceptions. Martin’s collaborations with Torsten Zenas Burns build diverse speculative fictions around re-imagined educational paradigms. Martin has toured his work nationally and internationally. He occasionally curates screenings and teaches video and media arts at UC Davis. www.darrinmartin.com
Sunday, June 13, 2010
17TH CHICAGO UNDERGROUND FILM FESTIVAL

Wednesday, May 19, 2010
WHAT-IF? IN THE DAYS WHEN THE TIGER SMOKED



What If? In the Days When the Tiger Smoked
a total-gallery experience in video and photography by
Torsten Zenas Burns & Darrin Martin
On View June 4-July 17, 2010
Reception for the Artists - Saturday, June 5th 6-9
with Hite Beer and Kimchi!
Special Outdoor "Extras" Screening at 8:30
Krowswork Gallery is pleased to announce the exhibition What If? In the Days When the Tiger Smoked, a collaboration between veteran video artists Torsten Zenas Burns and Darrin Martin. The exhibition includes four videos and accompanying prints and photographs and is the culmination of an ongoing project which began in Busan, South Korea, in 2006. The first part of the title - "What If?" - sets the tone for both the scientific and speculative nature of the artists' point of departure. The second part - "In the Days When the Tiger Smoked" - is the Korean equivalent of "Once Upon a Time," suggesting an event set in a mythical time. This juxtaposition of the exciting, unknown possibilities of "future" with the playful, whimsy of a fictional "past" provides a perfect capsule for this uniquely complex narrative of the imaginative present.
Please join us Saturday, June 5th, from 6 to 9, for the opening reception for the artists. Enjoy complimentary Kimchi and Hite beer... and at 8:30 a special outdoor screening of pop cultural videos and other media gems influential to the artists.
For more on the exhibition:
www.krowswork.com/whatif.html
To view the artists' full project statement:
www.krowswork.com/whatif_projectstatement.html
What If? In the Days When the Tiger Smoked represents video art at its most engaged-an exploration of the medium's outer limits, complexities, and crevices. Alternately funny, bizarre, and profound, the works are colorful, both literally and metaphorically, and use video to do what it does best: push and question boundaries.
At the heart of What If? is the unfolding of a role-playing workshop where participants reenact dates leading up to a fictional polyamorous romance. The performance, played by a rotating international cast of artists, culminates in a group wedding and honeymoon between characters based on two obscure Marvel superheroes and two internationally renowned art personalities. What-If? reveals the entangled story that brought this romantic foursome together, spanning the gulf between genders and representations, the body and technology.
Part live action and part animation, equally plastic and organic, and using bodies as physical and philosophical vehicles to question our sense of self at its palpable essence, the presentation of What If? at Krowswork Gallery reminds us that identity, like video itself, can be almost anything we want it to be.
ABOUT THE ARTISTS:
Burns and Martin met in the 1980s when they were both studying art at Alfred University, an unsuspected center of early video activity and experimentation and one of the oldest video art programs in the country. Each of them has been working in the medium of video for twenty years, individually and collaboratively. Together, they have based their single-channel videotapes, curations and current performance works on their research into diverse séance-fictions including re-imagined educational practices, cryptozoological musicals, and transhuman narratives. They have jointly participated in residencies at Eyebeam and The Experimental Television Center in New York. Their videos have screened at venues including The Museum of Art and Design (NY), Pacific Film Archive (CA), Aurora Picture Show (TX), Migrating Forms (NY), Video_Dumbo (NY), Chicago Underground Film Festival (IL), Madrid Museum of Contemporary Art (Spain), Stuttgart Filmwinter (Germany), Art Space Bandee (South Korea), and Oberhausen Short Film and Video Festival (Germany). They most recently screened their work at the 2010 edition of the European Media Arts Festival (Germany) and exhibited at The Lab in San Francisco.
Krowswork
480 23rd Street - side entrance
Oakland, CA 94612
www.krowswork.com
jasmine@krowswork.com
510-229-7035
Wednesday, April 28, 2010
MOBILE GEOGRAPHY PERFORMANCE SERIES: JORDAN BIREN

With All That Passes Before You, Already In Ruin, Jordan Biren brings a performative incursion to his long-standing ordeal in video. Through live recitation of text the physicality of words is loosed upon an intimate expanse of high-definition imagery and sound. A rich, temporal presence ensues of transient landscapes, time, and characters advancing as spectres in the shadows of glistening cinematic moments. Words—displaced from the image—move as ghostly figures through the illusory promise of narrative towards a question of alterity. In his ongoing performances of All That Passes Before You, Already In Ruin, Biren abandons suggestions of cinematic sense for a resonance carried on the frequency of bodily words.
The 1st in a new series of (Mobile geography performances) "All That Passes Before You, Already In Ruin" will be performed live at Parsons Hall Project Space, Thursday May 20th - 8pm
Is an artist for whom video is the poetic rehearsal of his artistic endeavor.
His work has long pondered meaning as a migration behind the illusory promise of narrative utterance. His is work of a melancholic tension built around narrative dissolutions in the chasms of granular image, text, and sound. Narrative, rather, has inhered in his video as a vaporous impossibility against which the work is directed. He seeks in this the more enigmatic holes of unexplained human experience—those breaches covered over, as if unsightly, by the image, sound, and textual impulses of an arbitrary existence. Of late, his work has approached an equivalence of film aesthetic against which notions of video define a new, hybrid form of narrative province.
Wednesday, April 21, 2010
Parsons Hall Project Space

Monday, March 1, 2010
EUROPEAN MEDIA ARTS FESTIVAL 2010

EUROPEAN MEDIA ARTS FESTIVALDoubles and Look-Alikes
Art, science and games collide: who is who? And how do
artists see themselves in the mirror of their artistic works!
Sic Transit / Manuel Saiz / I / 4:37 / V
Elastic cord playing / Park Byounglae / ROK / 7:45 / V
What-if? Beyond a Carnalove / Torsten Zenas Burns & Darrin Martin /USA /17:00
Real Snow White / Pilvi Takala / F/NL / 9:15 / V
Monuments / Redmond Entwistle /GB/USA /30:00/16mm
What-if? Beyond a Carnalove
17:00-2009-Torsten Zenas Burns + Darrin Martin
Our last project, entitled “What-If? ”, was generated through a series of role playing workshops that enacted a romance between four characters based upon two obscure Marvel superheroes and two internationally renowned art personalities. The performances,conducted by an international cast of artists,leads to a group wedding. The happy foursome are Orlan, an artist whose actual redefinition of her own body via plastic surgery confronts representations of woman throughout art history; Stelarc, an artist whose cybernetic mission in life is to render the body obsolete; Scarlet Witch, a mutant superhero who has unlimited powers over probability,and Vision, a “synthezoid” superhero whose mechanically fabricated body contains a human soul.“What-If? Beyond a CarnaLove” is the beginning of a larger body of work that unfolds this entangled story spanning the gulf between genders and representations;the body and technology. We will utilize an excess of workshop materials to focus on the mating rituals of Orlan within the complicated foursome, simultaneously contextualizing her within a grouping of characters that push the boundaries of the very definition of the word carnal.Re-envisioned Orlan operations are performed by her lovers in tandem with intimate dates that develop their deepening relationships.
Saturday, January 30, 2010
COLLABOTRONICA - CHICAGO 2010

TORSTEN ZENAS BURNSPRESENTS:
COLLABOTRONICA:(CHICAGO)-60:00 2010
1084 N. Milwaukee
Chicago, IL 60642
SATURDAY FEBRUARY 13TH
Torsten Zenas Burns works with lots of different mediums and with lots of different people. COLLABOTRONICA is a sample of different projects created in tandem with artists, Anne McGuire Darrin Martin, Christian K. Burns, and HALFLIFERS. Traversing through the worlds of Choreography, Performance, Video, and New Media, he explores the realms of performed identity through fantasy characters and has an interest in re-envisioning educational spaces. Often creating animated counterparts of his collaborators, TZB creates spaces where kinesthetics meets virtual life. For example, WHAT IF?BEYOND A CARNALOVE, made with longtime collaborator, Darrin Martin utilizes danceforms software that recreates choreography by Merce Cunningham. Weird and playful, TZB's works feel a bit like a good recess. The pleasure of movement and imaginative improvisation win the day. –Christy LeMaster / The Nightingale
VEHICULAR VIDEO DOCKING
& Interfacing between three residency forms.
(Yellow Immersion Suit / Manbody / Pink Computer)
(Special thanks to Michael O'Malley)
3:00-2009-Torsten Zenas Burns + Christian K. Burns
(THIRD-ARM) improvisations at the Holyokeresearch
gestural residency program.
1:30-2009-Torsten Zenas Burns + Anne McGuire
I am Jaime Sommers! – (No! … I am Jaime Sommers)
color-saturated action scenarios, where the mission to
re-establish identity and sustain communicatin linkage
is never-ending. Retreating the way we came, we find
ourselves further out --or deeper in?
Part Two:(DIDN’T WORK-DVD NOT BURNED)
psychic residue, is funneled through HALFLIFE for a
complete wipe-down and a few healthy exersizes.
Part Three:(DIDN’T WORK-BOUGHT A BUILDING INSTEAD OF MAKING ART)
pre-sentized areas transports us to the edge of a
churning sea of potential activity. Pitted against the
pounding energy currents, we find we can barely hold
our own. And when the tap runs dry its time to move on!
Part Zero:(WORKING THE WORK)




