Thursday, November 6, 2008

Tuesday, October 14, 2008

MASS ART FILM SOCIETY (VIDEO SCREENING)


MASS COLLEGE OF ART & DESIGN–BOSTON,MA - OCTOBER 29TH 2008
TITLE: “TORSTEN ZENAS BURNS: COLLABOTRONICA”
Spectral space station training, etheric man-infestations,
re-imagined educational workshops, obsessive compulsive
androids, gestural researchers, and semi-dead hosts are
entwined at the spirited spine in this selection of works by
video makers who work together and apart.
These Collaborative works between Torsten Zenas Burns,
the Halflifers, Darrin Martin, The Foundry, Virocode and
Michael O’Malley chart a processed terrain of variable
speculative fictions.

WORKS TO BE SCREENED INCLUDE:
Ship to Ship (3:00 - variable date)
Torsten Zenas Burns & Mike O’Malley
Extending Trainer: Pressure suits & Broom-crafts (21:00 – 2007)
Torsten Zenas Burns
Afterlifers: Walking & Talking (Extendead version)
(23:00 – 2007) HALFLIFERS(Torsten Zenas Burns & Anthony Discenza)
I am today’s lesson plan – (11:00- variable date)
Torsten Zenas Burns & Darrin Martin

Friday, September 19, 2008

VIDEO_DUMBO FESTIVAL 2008






Freund Hein | Elizabeth Smolarz | 2008 | 4:00 min.
Freund Hein is an anachronistic German vernacular expression, ‘Hein’ being the impersonation of Death as an unwelcome ‘friend’ knocking on once door. I my latest video installation I conceptualized a performance based film project as an exploration of the question of death. Since the human death is typically hidden from everyday life what is the source of our death-image? I invited people of different ages and backgrounds to my studio and asked them ‘to die’ in front of the camera. The participants were free to improvise in whatever way they wanted to pretend the act of dying. Some choose to be ‘shot’, some were ‘stabbed’, some ‘chocked', others said ‘good bye’, laid down and ‘died’. The sequences of these performances were mostly short, maximum a few minutes, showing that most people imagine the act of dying as an abrupt event, a crass unexpected rupture in the experience of an everyday time continuum.

Bamboos | Fanny AlliƩ | 2008 | 00:45 sec.
My artwork revolves around the notion of Identity or loss of Identity and how we present ourselves to the world. The people I film are assigned to play a role or to follow a specific instruction in order to take a distance with their own self (their everyday “self”). In my last project called “The disappearance of the cleaning lady” (2008 - 2.32 min), I asked four cleaning ladies who have been working together for many years, to create a story about the possible and sudden disappearance of one of them. They therefore fill their role with their own feelings.

Parallel Paradises (Japan) | Manuel Saiz | 2007 | 4:00 min.
Rin and Mai are two dancers of parapara, a disco dance trend popular in Japan. Their perfectly synchronized movements have a very precise pace and protocol, like they were speaking an unknown language. They perform in a forest were their figure and attitude results heterogeneous to the organic movement the nature around them, both words exist complete in the same space but do not touch each other.

Tears for the Future | Javier Morales/John Michael Boling
2008 | 4:45 min.
Javier Morales/John Michael Boling have solo as well as collaborative practices. They are based in Athens, Georgia. Since 2005 they have worked together on videos, as well as a number of web-based projects, most notably the video web blog Channel 53. A selection of the duo’s earlier works are hosted on John Michael Boling’s redoubtable 53 o’s website
(in google search ‘53 o’s’ – quicker than typing www.goooooooooooooooooooooooooooooo
ooooooooooooooooooooooogle.com) where you can also view some of his and Morales’ individual works.

What If…? | Torsten Zenas Burns/Darrin Martin | 2008 | 11:47 min.
WHAT-IF? is an experimental video & installation unfolding a role-playing workshop where participants reenact a fictional polyamorous romance. The performance, played by a rotating international cast of artists, leads to a group wedding and honeymoon between characters based upon two obscure Marvel superheroes and two internationally renowned art personalities. The happy foursome are Stelarc, an artist whose cybernetic mission in life is to render the body obsolete; Orlan, an artist whose actual redefinition of her own body via plastic surgery confronts representations of woman throughout art history; the Scarlet Witch, a mutant superhero who has unlimited powers over probability, and the Vision, a “synthezoid” whose mechanically fabricated body contains a human soul. WHAT-IF?…unfolds the entangled story that brought this romantic foursome together spanning the gulf between genders and representations; the body and technology.

A Matter of Fiction | Julie Casper Roth | 2008 | 3:35 minutes
A Matter of Fiction is a study of truth in traditional documentary film. It takes a recognizable model of documentary film - the historical documentary - and alters it to demonstrate the vulnerability of supposedly reputable information. The result places historical scholars in a web of fictional banter about their own lives and indiscretions. Commentary that was utilized in an authoritative context becomes banal.This humorous piece was born out of the artist's own work in documentary filmmaking and her acknowledgement of the vulnerability of truth.

From above | Fanny AlliƩ | 2008 | 1:30 min.
My artwork revolves around the notion of Identity or loss of Identity and how we present ourselves to the world. The people I film are assigned to play a role or to follow a specific instruction in order to take a distance with their own self (their everyday “self”).

Sittin' on a Million | Penny Lane/Annmarie Lanesey | 2008 | 26 min.
Mame Faye did not exist... At least that's what the history books would have you believe. Prostitutes and madams, no matter how popular and successful, are not part of legitimate history. But the citizens of Troy, New York insist that Mame Faye did exist. Everyone past the age of retirement has a story - funny, sordid, unbelievable - about Troy's most famous madam. Filmmakers Penny Lane and Annmarie Lanesey present these stories in all their contradictory glory, alongside vintage erotica, reenactments, and street performances. Mame Faye ran a world famous house of prostitution in Troy, New York for almost forty years (c. 1906 to 1941). Mame's story offers a rare view into sex, money, politics, and women's place in society in the early 20th century. Sittin' on a Million asks us to consider the role of memory and imagination in creating history, and reminds us about all those ordinary, extraordinary people erased from the official record.

Friday, August 22, 2008

FLESH CAPADES (MONKEYTOWN CURATION)



Flesh Capades
Sunday, September 7 @ 8pm
reservations are highly recommended
email monkeytown - monkeytownhq@aol.com
58 N 3rd St (btw. Kent & Wythe) Williamsburg, Brooklyn 11211
Admission $5, $10 Minimum*

86 minutes: total running time

Flesh Capades is an odd entry into the well-trodden paths in and around folds of soft tissue. The Fine Arts by Emily Vey Duke and Cooper Battersby begins the evening in search of a good idea, the basis of all art. Todd Herman’s Forbidden Acts visually unleashes the sexually charged poems written and performed by black disabled activist Leroy Moore through a thoughtful and provocative lens. “Fat floats” is the theme of Julie Wyman’s Buoyant, as the filmmaker weaves together the stories of a self-described group of fat synchronized swimmers, a Greek mathematician obsessed with floatation, and the unveiling of a device that allows one to swim without water. Torsten Zenas Burns and Darrin Martins’ The Abominable Freedom ends the evening with a hallucinatory lesson in social experiments that embrace witchcraft, polyamory, spectrophilia, and rebirthing techniques. Parental guidance is strongly suggested.

The Fine Arts, by Emily Vey Duke and Cooper Battersby, 3 minutes.

Forbidden Acts, by Todd Herman, 15 minutes.

Buoyant, by Julie Wyman, 27 minutes.

The Abominable Freedom, by Torsten Zenas Burns and Darrin Martin, 41 minutes.

For more information on these artists:
http://www.dukeandbattersby.com
http://www.todd-herman.com
http://www.iamjuliewyman.net
http://holyokeresearch.blogspot.com
http://darrinmartin.com

Sunday, August 17, 2008

NADIANAUTICA


KOREANAUTICA ( "BOKKO" CHOREOGRAPHIC PAYLOAD SPECIALIST )
SPECIAL THANKS TO: NADIA OKA

THE ABOMINABLE FREEDOM ( JERSEY CITY ACTIVATION)











"_______IN A BOX"
GROUP IMAGE CLUSTERING GRID SHOW
AT THE CANCO BUILDING IN JERSEY CITY - SEPTEMBER 20TH
CURATED BY BILLY MILLER / ARTLAB
"THE ABOMINABLE FREEDOM"
IS A COLLABORATION WITH DARRIN MARTIN
"_______IN A BOX"
Inspired by the architecture and mythology of The
American Can Company(a/k/a CANCO), ____ In A Box
presents ideas and sensations as images contained in
standardized packaging. The city, the Canco factory (and
the product made there), the room, the book, the computer
the TV, the painting, the DVD/CD, etc. are ALL boxes,
inside of boxes. And in all instances, forces and substances
both solid and abstract are contained for storage and
consumption.For this project, each artist has submitted
1-8 unframed, unsigned printouts on various kinds of paper
using different types of mechanical reproduction
(xerox, inkjet, laser, etc.). More of an expanded book layout
than a conventional art show, the entire kit-and-kaboodle
will fit into an actual single box to form an archive that will
then travel to be displayed again in a gallery, museum,
submarine, or space station. A pop/punk
imploding/exploding graphic whateverable.
The participants range from local to international
talent and from professional to first time exhibitors.
Made for different reasons, and for a variety of audiences,
the artwork here is presented democratically as a grid
of images - not unlike a museum display of industrial artifacts.
Through the uniformity of format and design of the installation,
curator Billy Miller and designer Jan Wandrag are attempting to
paradoxically convey the individuality and uniqueness of each
artist’s vision.
The exhibition will take place at Canco Lofts, 50 Dey Street,
Jersey City, NJ, with 10 other exhibitions Reception/Studio Tour
Kick-off Celebration: October 3rd from 6-10pm Exhibition
hours: Saturdays from noon to 5pm, Sept. 20, 27,
Oct. 11, 18, and during the Jersey City Artists Studio Tour
on Saturday and Sunday Oct. 4th and 5th from noon to 6pm

Monday, July 14, 2008

8 KOREANAUTICALS (OUTPOSTIAN PROCESSING)









SPECIAL THANKS TO:
-BROOKLYN'S "OUTPOST" RESIDENCY PROGRAM!
-DANIEL VATSKY!
-ALL PARTICIPANTS IN THE KOREANAUTICA PROJECT